Case study:
Tony's Chocolonely

There's Fight In Every Bite

In a nutshell
Chuck your spandex suit on and wrestle big haired exploiters in a bid to help improve the lives of cocoa farmers and end deforestation. Or, y'know, just eat some chocolate instead.
Media:
TVC & Social (plus loads more fun stuff to come....)
In a nutshell
Chuck your spandex suit on and wrestle big haired exploiters in a bid to help improve the lives of cocoa farmers and end deforestation. Or, y'know, just eat some chocolate instead.
Media:
TVC & Social (plus loads more fun stuff to come....)

Chocolate usually means a quiet night in: feet up, telly on, and sofa crumbs you’ll absolutely pretend you didn’t notice.

But what if, halfway through a bite, a pair of fully-oiled, big-haired, 90s-era wrestlers burst into your living room and started suplexing each other over the future of the cocoa industry?

That’s the starting bell for There’s Fight in Every Bite, Tony’s Chocolonely’s first-ever global TV campaign, and part of their biggest campaign to date. A joyful, chaotic, and slightly bonkers invitation for chocolate lovers everywhere to join the fight against exploitation in cocoa… one bar at a time.

At the heart of the campaign is a 30-second TV spot airing across Sky channels from 9pm on 10th February. Two women. One sofa. One bar of Tony’s classic milk chocolate. As they take a bite, the room fills with the sounds of body slams, flying elbows and pure, theatrical chaos. Enter Tony’s Chocolonely versus X-Ploitation – a literal wrestling match between good chocolate and the dark realities of the cocoa industry, where poverty, child labour and deforestation still run rampant when farmers aren’t paid a living income.

It ain’t exactly subtle… but memorable? Absolutely.

We wanted to prove that purpose-led advertising doesn’t have to whisper earnestly or point solemnly at a graph. It can be loud, ridiculous and genuinely entertaining – while still landing a punch (ahem). Every Tony’s bar is delicious, yes. But it’s also doing battle with a broken system. And just like Tony’s bars, that’s a fight worth getting your teeth into.

The campaign marks Tony’s first time stepping into the national TV ring, made possible through a partnership with Sky Media and the Sky Zero Footprint Fund. After we helped Tony’s to win the Champions category, we secured £500k worth of advertising to help bring their mission into living rooms across the UK. TV gave us the scale to turn a complex supply-chain issue into a shared cultural moment – one that doesn’t ask people to study, just to notice, enjoy, and maybe choose differently next time they’re in the chocolate aisle.

Working with production partners Common People Studios and director Mary-Sue Masson, we leaned hard into the surreal. Wrestling tropes. Exaggeration. A touch of chaos. Because if you’re going to talk about exploitation, you might as well do it with a flying bodyslam. Tony’s also worked with System1 to test and optimise the creative and hope it will resonate with both existing fans and new audiences. 

But this was never just about a TV ad. There’s Fight in Every Bite is a fully integrated, 360° campaign spanning TV, paid social, earned media, experiential, digital and PR – rolling out from February through early April. TV lights the fuse, but the fight continues well beyond the living room.

Behind the madness sits something very real. Tony’s works with 100% traceable cocoa through Tony’s Open Chain, pays farmers higher long-term prices to support living incomes, actively identifies and remediates child labour, and ensures cocoa is deforestation-free. The mission is serious. The tone doesn’t have to be.

For us, this campaign is what happens when brave clients back weird ideas with teeth. When entertainment and ethics stop being treated as opposites. And when you trust that people don’t need to be lectured to care – they just need a reason to look up.

So yes, it’s chocolate. Yes, it’s wrestling. And yes, there really is fight in every bite. 

Let’s get ready to rumble!

Credits:

Client: Tony’s Chocolonely

UKI Head of Marketing: Nicola Matthews

Global Creative Lead: Emma Baines

Chief Brand Officer: Sadira E. Furlow

Global Copywriting Lead: Suzanne Verheul

Agency: House of Oddities

Executive Creative Directors: Sachini Imbuldeniya & Darren Smith

Creatives: Megan Revell, Sarah Gerona, Gemma Strang

Production Assistant: Jordan Edwards

Graphic Designer: Rachel Lewis

Production Company: Common People Studios

Director: Mary-Sue Masson

Exec Producers: Ramy Dance & Tony Roberts

Producer: Erin Sullivan

Production Manager: Aaron Briggs

1st AD: Andrew Vanneck

2nd AD: Brian Githiomi

PA: Matthias Banfield

Runners: Amiga Harewood, Hannon Bendall

DOP: Matthew Smith

1st AC: Anil Duru

2nd AC: Deniz Ersoy

Gaffer: Massimo Filippi

Sparks: Dylan Schultz-Soo, Lex Kearney, Maria Kalecinska

Sound Op: Ruari Mathewson

Production Designer: Lily Purbrick

Props: Lena Rush, Elektra Thomson

HMU Artist: Danielle Farrington

MU Assistant: Annabelle Miller

Costume Designer: Emily Pirouet

Location: Amity Studios

Catering: Wolf and Lamb

Camera: One Stop

Lighting: Blundell Studios

Cast:

Tony: Tommy Tanner

X-ploitation: Ben Pumffrey

Ruby: Farrel Hegarty

Hannah: Verona Rose

Referee: Anthony Shand

Editor: Matt Felstead
Colourist: Peter Oppersdorff at Absolute Colour
Colour Producer: Tia Duff
Sound Design: Patch Rowland

 

FEATURE:
Tony's Chocolonely

There's Fight In Every Bite

In a nutshell
Chuck your spandex suit on and wrestle big haired exploiters in a bid to help improve the lives of cocoa farmers and end deforestation. Or, y'know, just eat some chocolate instead.
Media:
TVC & Social (plus loads more fun stuff to come....)

Chocolate usually means a quiet night in: feet up, telly on, and sofa crumbs you’ll absolutely pretend you didn’t notice.

But what if, halfway through a bite, a pair of fully-oiled, big-haired, 90s-era wrestlers burst into your living room and started suplexing each other over the future of the cocoa industry?

That’s the starting bell for There’s Fight in Every Bite, Tony’s Chocolonely’s first-ever global TV campaign, and part of their biggest campaign to date. A joyful, chaotic, and slightly bonkers invitation for chocolate lovers everywhere to join the fight against exploitation in cocoa… one bar at a time.

At the heart of the campaign is a 30-second TV spot airing across Sky channels from 9pm on 10th February. Two women. One sofa. One bar of Tony’s classic milk chocolate. As they take a bite, the room fills with the sounds of body slams, flying elbows and pure, theatrical chaos. Enter Tony’s Chocolonely versus X-Ploitation – a literal wrestling match between good chocolate and the dark realities of the cocoa industry, where poverty, child labour and deforestation still run rampant when farmers aren’t paid a living income.

It ain’t exactly subtle… but memorable? Absolutely.

We wanted to prove that purpose-led advertising doesn’t have to whisper earnestly or point solemnly at a graph. It can be loud, ridiculous and genuinely entertaining – while still landing a punch (ahem). Every Tony’s bar is delicious, yes. But it’s also doing battle with a broken system. And just like Tony’s bars, that’s a fight worth getting your teeth into.

“We’re incredibly proud of our first TV campaign… a powerful, unexpected, and entertaining way to bring the issue of exploitation in the cocoa industry to life.”
Nicola Matthews, UK&I Head of Marketing at Tony’s Chocolonely

The campaign marks Tony’s first time stepping into the national TV ring, made possible through a partnership with Sky Media and the Sky Zero Footprint Fund. After we helped Tony’s to win the Champions category, we secured £500k worth of advertising to help bring their mission into living rooms across the UK. TV gave us the scale to turn a complex supply-chain issue into a shared cultural moment – one that doesn’t ask people to study, just to notice, enjoy, and maybe choose differently next time they’re in the chocolate aisle.

Working with production partners Common People Studios and director Mary-Sue Masson, we leaned hard into the surreal. Wrestling tropes. Exaggeration. A touch of chaos. Because if you’re going to talk about exploitation, you might as well do it with a flying bodyslam. Tony’s also worked with System1 to test and optimise the creative and hope it will resonate with both existing fans and new audiences. 

But this was never just about a TV ad. There’s Fight in Every Bite is a fully integrated, 360° campaign spanning TV, paid social, earned media, experiential, digital and PR – rolling out from February through early April. TV lights the fuse, but the fight continues well beyond the living room.

Behind the madness sits something very real. Tony’s works with 100% traceable cocoa through Tony’s Open Chain, pays farmers higher long-term prices to support living incomes, actively identifies and remediates child labour, and ensures cocoa is deforestation-free. The mission is serious. The tone doesn’t have to be.

For us, this campaign is what happens when brave clients back weird ideas with teeth. When entertainment and ethics stop being treated as opposites. And when you trust that people don’t need to be lectured to care – they just need a reason to look up.

So yes, it’s chocolate. Yes, it’s wrestling. And yes, there really is fight in every bite. 

Let’s get ready to rumble!

“House of Oddities are incredible… they just get us. The magic they have is they are small and agile, but they’re also self-proclaimed misfits. The ideas we get back from them are pretty much right most of the time.”
Nicola Matthews, UK&I Head of Marketing at Tony’s Chocolonely

Credits:

Client: Tony’s Chocolonely

UKI Head of Marketing: Nicola Matthews

Global Creative Lead: Emma Baines

Chief Brand Officer: Sadira E. Furlow

Global Copywriting Lead: Suzanne Verheul

Agency: House of Oddities

Executive Creative Directors: Sachini Imbuldeniya & Darren Smith

Creatives: Megan Revell, Sarah Gerona, Gemma Strang

Production Assistant: Jordan Edwards

Graphic Designer: Rachel Lewis

Production Company: Common People Studios

Director: Mary-Sue Masson

Exec Producers: Ramy Dance & Tony Roberts

Producer: Erin Sullivan

Production Manager: Aaron Briggs

1st AD: Andrew Vanneck

2nd AD: Brian Githiomi

PA: Matthias Banfield

Runners: Amiga Harewood, Hannon Bendall

DOP: Matthew Smith

1st AC: Anil Duru

2nd AC: Deniz Ersoy

Gaffer: Massimo Filippi

Sparks: Dylan Schultz-Soo, Lex Kearney, Maria Kalecinska

Sound Op: Ruari Mathewson

Production Designer: Lily Purbrick

Props: Lena Rush, Elektra Thomson

HMU Artist: Danielle Farrington

MU Assistant: Annabelle Miller

Costume Designer: Emily Pirouet

Location: Amity Studios

Catering: Wolf and Lamb

Camera: One Stop

Lighting: Blundell Studios

Cast:

Tony: Tommy Tanner

X-ploitation: Ben Pumffrey

Ruby: Farrel Hegarty

Hannah: Verona Rose

Referee: Anthony Shand

Editor: Matt Felstead
Colourist: Peter Oppersdorff at Absolute Colour
Colour Producer: Tia Duff
Sound Design: Patch Rowland

 

Nothing else to see here. Unless you like pictures of polar bears with their eyes shut on a white background.
This is the end, beautiful friend, the end